In the story, Hemingway refers to the Ebro River and to the bare, sterile-looking mountains on one side of the train station and to the fertile plains on the other side of the train station.
Symbols are another minimalist device used in this story to express the major conflict between the characters. She has not yet convinced herself that the abortion is something she accepts, but in an attempt to please the man states twice that she feels fine.
In this exchange of dialogue, the man and Jig refer to their ideal lives in two different ways. Nothing has been solved.
The tension between the two is almost as sizzling as the heat of the Spanish sun. The shortness of this story makes all the points of the theme more powerful.
The girl is trying to be brave and nonchalant but is clearly frightened of committing herself to having the operation. The hills of Spain, to the girl, are like white elephants in their bareness and round, protruding shape.
More than that, though, this passage helps see the depth to which Jig relies on the man. On the other hand, we feel that the girl is not at all sure that she wants an abortion.
Just as the beaded curtain keeps out flies to prevent contamination of the food inside the kitchen of the bar, a device of birth control would have prevented this unexpected pregnancy from taking place.
He has become her guide and her guardian. His preference for simplicity in writing makes for complexity in significance. Her words possess elements of bitterness, sarcasm, and yet a resounding truth. In part, this new appreciation for the story lies in Hemingway's use of dialogue to convey the "meaning" of the story — that is, there is no description, no narration, no identification of character or intent.
In an attempt to please the man, Jig is not thinking for herself. Everything in the story indicates that the man definitely wants the girl to have an abortion. This is another example of a disconnection in the conversation and the relationship. In this paper, I seek to infer what the possible resolution of the conflict is, based on the ever so subtle wordings, clues and symbolisms Hemingway utilized in the story.
When he asks her to stop teasing, Jig tries to calm him by reminding him that she was just joking.
When he says, "If you don't want to you don't have to. Without a baby anchoring them down, they can continue to travel; they can "have everything. Can we, however, assume something about them — for example, is "the man" somewhat older and "the girl" perhaps younger, maybe eighteen or nineteen?
However, for the girl, this life of being ever in flux, living in hotels, traveling, and never settling down has become wearying. Being wary of the consequences, the girl is undecided whether the operation is the best thing to do as the American says it is.
Jig is trying to convince herself that she is unimportant — that her thoughts, feelings, and desires, do not matter in order to sustain this relationship.
This insight is best illustrated when she looks across the river and sees fields of fertile grain and the river — the fertility of the land, contrasted to the barren sterility of the hills like white elephants.
Unlike traditional stories, wherein the author usually gives us some clues about what the main characters look like, sound like, or dress like, here we know nothing about "the man" or "the girl.
The dialogue starts with the couple engaging in a casual conversation over drinks. Hemingway never explicitly uses the word abortion, but instead relies on the description and details of the setting to convey an idea of this weighty decision.
This setting represents the situation that the girl and the man are facing at that very moment. The writer goes everywhere but records only what he sees or hears.
Also notable is that "white elephant" is a term used to refer to something that requires much care and yielding little profit; an object no longer of any value to its owner but of value to others; and something of little or no value. What seem to be simply white elephants and drinks in their conversation are actually deeper than that.
The story has a chronological sequence although there is a problem that is implied to have been existing even before the story started. By repeating herself, she also declares that there is nothing more to discuss.
Another piece of imagery employed in the story to further its theme is the description of the weather. This shows the defensive nature of the man, as the woman implies that he is unable to identify things of beauty.But "Hills Like White Elephants" is a revolutionary approach to story writing—and perhaps even Three Act Plot Analysis "Hills Like White Elephants" is a revolutionary approach to story writing, and perhaps even a reaction against stories that fit into traditional plot structures.
A story written almost entirely in dialogue, "Hills Like White Elephants" is an example of Ernest Hemingway's objective and concise prose that presents an unstated tension, a style known as The. Literary Analysis of “Hills Like White Elephants” By Ernest Hemingway Introduction Ernest Hemingway is a minimalist writer and believes in showing the reader only the proverbial tip of the iceberg, leaving everything else not exactly for guesswork, but more for analysis and inference, as the story is ironically so rich in detail from symbols and foreshadowing.
Essay `` Hills Like White Elephants `` By Ernest Hemingway. In Ernest Hemingway’s, “Hills Like White Elephants”, he is able to create a tension filled dialogue between an American and a girl, Jig, as they sit, drink, and wait for a train from Barcelona at a bar.
In Hills Like White Elephants by Ernest Hemingway and “Bartleby the Scrivener” by Herman Melville, both pieces of literature contain a technique called minimalism, an extreme simplicity used to iterate a deeper meaning in the text. English Short Story. STUDY. PLAY. Character. The representation of a person in a story.
Ernest Hemingway. Plot in "Hills Like White Elephants" Point of View in "Hills Like White Elephants"-3rd person-objective. Setting in "Hills Like White Elephants"-Spain-Train junction.Download